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Wednesday, May 6, 2009 at 8 p.m.
They say there's a fine line between genius and madman. And one thing all the composers on our season finale have in common is that they've been accused of being the latter at one time or another. Buying your first album because the dude on the cover looks like a mad scientist; amplifiying your own brain waves and making them an instrument; and writing a piece for string quartet and helicopters? That's not crazy—that's cool!
Tickets are $10, general admission and $5 for Contemporary Museum members and students with a valid ID.
Solo (1965) by Karlheinz Stockhausen
for soprano saxophone and 4-speaker spacialized feedback
God Bless the Child (1967) by Eric Dolphy
for solo bass clarinet
Music for Solo Performer (1965) by Alvin Lucier
for enormously amplified brain waves and percussion
Ionisation (1931) by Edgard Varèse
for percussion ensemble
The Black Page/King Kong (1967) by Frank Zappa
for soprano voice, flute, bass clarinet, alto saxophone, tenor saxophone, violin, electric bass, and korg kp3
Featuring
Brian Sacawa, soprano and alto saxophone; Jennifer Everhart, bass clarinet; Matthew Everhart, electric bass; Katayoon Hodjati, flute; Chris Blossom, tenor saxophone; Erik Spangler, laptop, Korg KP3, and brain; and others TBA.